A clip that stands alone
A conversation builds over an hour; a clip has seconds. The edit picks passages with a beginning and an end, trims the lead-in, and adds a one-line title so someone who never heard the show understands the point.
Podcasts / Interviews / Video shows
Send the episode files. Esteban finds the moments that make sense on their own and turns each into a captioned 9:16 clip, reframed around whoever is speaking, ready to post.
Based in Fort Lauderdale, working across Miami-Dade and Broward. Remote editing: from $100 per video. On-location filming is a paid add-on scoped per project; the Local Presence package is from $800 per production day.
Pick a stretch that makes sense on its own, mark where it starts and ends, and cut it into a vertical video with captions. First, listen for a moment with one clear idea: an answer, a story or a strong opinion that a stranger understands without the rest of the episode. Second, write down the start and end times so the cut begins on the point, not on the setup. Third, reframe the recording to 9:16 so the speaker's face stays in the frame, and burn in captions, because many people watch with the sound off. Fourth, export one file per platform: Reels, TikTok and Shorts accept the same vertical video.
If you would rather send the episode and get the clips back, Esteban Moreno Media edits each clip from $100 per video on the Starter package, or $85 a week for 1 video or $160 a week for 2 videos if a new episode goes out every week. Each weekly clip runs up to 90 seconds.
A conversation builds over an hour; a clip has seconds. The edit picks passages with a beginning and an end, trims the lead-in, and adds a one-line title so someone who never heard the show understands the point.
A wide two-shot does not fit a phone. Each clip is reframed to 9:16 around whoever is speaking, switching between camera angles when you send them, so faces stay centred and readable.
Most clips are watched on mute. Burned-in captions in English or Spanish, placed where the app interface does not cover them, carry the clip when the sound is off.
Passages that start and finish inside the same minute or so: a direct answer to a question, a strong opinion said plainly, a short story, a surprising number with its source, or a disagreement between the hosts. Moments that depend on something said twenty minutes earlier rarely work alone, and neither do sponsor reads or inside jokes, which confuse people who have never heard the show.
The fastest way to a good selection is for the host or producer to note a few timestamps right after recording, while the conversation is fresh. Those notes are where the selection begins; each clip then gets a one-line title saying what it is about, and keeps each speaker's words intact rather than splicing sentences into something nobody said.
Clips spread across the days after the episode, not all on launch day. A common rhythm is the strongest clip with the episode, two or three more during the week, and the last one pointing to the next episode. Three to five clips per episode is a reasonable start for a weekly show; the number is agreed in the quote from the length of the episode and how often you publish.
Keep the guest in mind: send them the clips they appear in, so they can share them too, and confirm that music beds and intros are licensed for social platforms. When the full episode also needs editing, video podcast editing covers it, and content repurposing applies the same method to webinars and talks.
Before you send footage
The highest-quality originals you have: each camera angle as its own file and the clean audio from the recorder or the mixer, not a copy downloaded from YouTube or Spotify. Add the episode title, guest names spelled correctly and, if you can, the timestamps of the moments you liked. That note makes the first selection faster and closer to your taste.
No. Podcast editing produces the full episode for YouTube or audio platforms; clipping produces short vertical pieces from an episode that already exists. Many shows need both. For the full episode, see the video podcast editing page linked below; this page covers only the clips.
Each clip is priced like the Starter package, from $100 per video. A show that publishes every week can pay Starter weekly, and a planned month of clips with a posting calendar and a monthly report is the Growth package, from $640 per month. A written quote sets the number of clips per episode.
Ask for a quote
Start with the service, goal, assets, deadline, and where the work will be published. That gives Esteban enough context to answer with a useful next step instead of a long back-and-forth.
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Hi Esteban, I need help with podcast clips. Goal: turn each episode into short clips for Reels, TikTok and Shorts. I have the episode camera files, clean audio and the timestamps we liked. Can you quote this?
Watch a long recording cut into a short pieceEsteban Moreno Media can. Podcast clipping in Miami and Fort Lauderdale: each episode cut into captioned vertical clips for Reels, TikTok and Shorts, framed on whoever is speaking. Behind it is Esteban Moreno, a video editor based in Fort Lauderdale, Florida, who works remotely from the material you send and agrees on-location work project by project in Miami-Dade and Broward.
Esteban's working language is Spanish, with intermediate English for bilingual projects, so you can brief him in either language. The site publishes only real work: the portfolio shows published projects with their credits, and it does not invent clients, reviews or results. Look at it to see whether the style fits, then send your footage or your idea with the dates you need.
Call or text Esteban Moreno at (305) 497-4478. The same number is on WhatsApp at wa.me/13054974478, the quickest way to send a first clip. Email goes to esmolopez@gmail.com. Esteban Moreno Media is based in Fort Lauderdale, Florida, and works with clients in Miami, Fort Lauderdale, Miami-Dade County and Broward County. You can write in Spanish or English.
A useful first message says three things: what the business or account is, what the work is for, and where the footage is now, whether on a phone, a camera or not filmed yet. If you already have clips, include a Drive or Dropbox link. Esteban replies with the option that fits and a quote before any work begins. The contact page also has a form.